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Stranger Things' made her a household name. 'John Proctor Is the Villain' won her a Tony nomination. The 23-year-old actor is ...
Many theatergoers will be drawn to John Proctor Is the Villain by Sink, who made her breakthrough in Stranger Things and most recently starred in Searchlight’s musical drama O’Dessa.
Sadie Sink as Shelby in 'John Proctor Is the Villain' Julieta Cervantes (L to R): Morgan Scott, Maggie Kuntz, Fina Strazza, Amalia Yoo, Gabriel Ebert, and Molly Griggs in 'John Proctor Is the Villain' ...
Saying goodbye to star Sadie Sink, John Proctor Is The Villain saw a jump of $221,445 to $1,128,804 during Sink’s final week. Attendance was, as usual, standing room only.
The cast is led by Stranger Things star Sadie Sink, who returns to Broadway almost 13 years after making her debut in Annie. Watch in this video as we take you inside the big night.
Sadie Sink earned a 2025 Tony nomination for her Broadway role in John Proctor Is the Villain The Stranger Things star opens up to PEOPLE about growing up fast in Hollywood and connecting to her ...
For her unsettling and remarkably affecting performance in John Proctor, Sink, who shot to fame in 2016 when she joined the second season of Netflix’s hit series Stranger Things as Maxine “Max ...
John Proctor is the Villain cast, including Nihar Duvvuri, Molly Griggs, Fina Strazza, Amalia Yoo, Sadie Sink, Morgan Scott, Gabriel Ebert, Maggie Kuntz and Hagan Oliveras, pose at opening night.
A film adaptation of the Tony-nominated Broadway play, John Proctor Is the Villain, is currently in the works, featuring a screenplay by Kimberly Bellflower, who will adapt her stage play.
Sadie Sink in 'John Proctor is the Villain' on Broadway. (Julieta Cervantes) Much effort here has been made to make all of the classroom dialogue feel real, and successfully so.
‘John Proctor Is the Villain’ Review: Broadway Play Is a Powerful, Pop-Inflected Retort to ‘The Crucible’ Booth Theatre; 766 seats; $199 top. Opened April 14, 2025. Reviewed April 10.
In fact, John Proctor is the Villain is largely about what its characters aren't saying: their fears, their desires, their angst, their pain, and their grief.